Bring Back The Dark: The Queen of Nothing Review

Book Reviews, Commentary

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Remember the end of The Cruel Prince? I don’t remember it verbatim, but I remember the feeling. It was so sinister. The image of Cardan sitting on the throne, offering it up to Jude and telling her how hard she worked for it. The promise of future darkness to come.

The end of that book is in stark contrast to the end of this one.

Now don’t get me wrong, the ending of the Folk of Air series isn’t bad. It’s satisfying and Holly Black keeps Cardan and Jude apart for just the right amount of time and the ending makes sense (as far as a story about faeries can) and follows the trajectory of the series as a whole, but I think that’s why I didn’t love it, because of the trajectory.

Throughout the books, Cardan and Jude drag themselves out their own worse parts and into the light. In the first book, Jude is angry and violent and, not a bad person, but not quite a good person. She does things because she wants power and a place in Faerie and if the good of Faerie happens to align with her interests, well that’s a plus. Cardan is cruel and dangerous, but fun and charming. But then, after everything, they end up just…good. Cardan is a good guy THE ENTIRE BOOK (and maybe even before as he apparently saved mortals, a detail I didn’t think needed to be added) and Jude doesn’t make half the morally questionable decisions she used too (remember when she killed that messenger just because she was told to). I miss the people they were before.

And not only is the complexity of characters paling a bit compared to the previous books but the complexity of Jude’s relationships, the complexity I adored, the complexity that got it on almost every fantasy agent’s MSWL, was missing almost entirely. Take Jude and Taryn’s relationship. After Taryn’s betrayal, Taryn gives a not-so-convincing explanation and Taryn and Jude pretty much make up immediately without much time being devoted to it. The relationship between Madoc and Jude, while touched on, takes a back seat in this book as well. And, maybe most disappointedly, Jude’s relationship with Faerie and, by proxy, Cardan is also simplified. Turns out Cardan’s betrayal at the end of the last book was just a misunderstanding and then Cardan and Jude are just in love, no self-hatred or power-plays in sight. And Jude doesn’t work that hard to make people accept a mortal queen of Faerie.

And it’s not as if there wasn’t space for this complexity.

What the Author Could’ve Done:

Cardan thought Jude was working with Madoc and he knows Jude killed his brother even though he asked her not to. And Jude thought Cardan had tricked and used her her entire exile, and no part of her doubted it so she clearly thought he was capable of it. Black could’ve played with that distrust much, much more, especially since Black does this kind of clever thing where Cardan’s biggest changes happen when Jude isn’t there (when she’s captured by the Undersea, when she’s banished). This keeps Cardan interesting and saves us the effort of tracking each step of his development, but it means Jude has to rise to meet Cardan’s level of affection and we don’t always see that work. I can maybe buy Cardan realizing how much he loves Jude in her absence, but Jude distrusts Cardan her entire exile, then Cardan gives an, again, not-so-convincing explanation and boom, Jude is in love. Also, we see a very small hint of Cardan’s previous anger when it’s directed at Randalin. It would’ve been nice to see that on display more. How would Jude feel if Cardan’s cruelty was directed for her instead of against her? Would she have encouraged it, used it?

Black could’ve also made the end a bit less rosy. No one dies (who else totally called that Cardan wasn’t going to die but rise from the snake) and everyone gets paired off (the one thing I genuinely disliked was Black making it painfully obvious that Ghost and Taryn were going to end up together. It’s not as if Taryn doesn’t have a happy ending already, that was just pushing it over the edge).

What I Would’ve Done: 

If I had written this series, I would’ve done the above and had Cardan bring Jude down a little bit instead of Jude’s love (not even really Jude herself who is no saint) bringing Cardan up and, in the end, they both take the throne as flawed rulers after doing some terrible things. And I kinda wish Cardan did something awful in the mortal world like Jude expected (which further shows that Jude does not yet know this new Cardan), something a faerie would do but a mortal would not, just to show that there’s more work to be done.

Conclusion:

The previous books, The Cruel Prince in particular, had a GoT first season air about it in that this fantasy land wasn’t good and bad, but kinda all bad. Where sinister meant smart (Madoc as Tywin) and there’s no good prince (Dain as Joffrey) but Black chose to play it safe and it devolved into a fairytale. This makes sense with the way the series was going but I miss the dark. So I guess it ended up like GoT season seven: I don’t mind where it ended up, but I wish it got there a little differently.

6 Scene That Would’ve Made the Game Of Thrones Finale Worth It

Commentary

WARNING: SPOILERS AHEAD

So there’s been a lot of talk about the Game of Thrones finale. Personally, I don’t mind where it went, just how it got there. I hoped the finale would be amazing and justify everything but, since it didn’t, I decided to take matters into my own hands by coming up with my scenes, and thus my own endings, for some of the most important characters in the show. Now, for this exercise, I wanted to keep changes to just the finale but there was one character that made that kinda tricky. So the changes are for the final two episodes: ‘The Bells’ and ‘The Iron Throne’. With that said, for your consideration, the new finale.

Character: Jamie

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The Problem Most People Had With His Ending: All his character growth seemed to go to waste.

Personal Opinion: For me, Jamie was one of my favorite characters because he had layers. For me, he never quite changed, we just learned more about him and he became one of the most nuanced characters on the show. I’m not surprised he went back to Cersei, they never really broke up. I’m not even surprised he died with her. However, I’m sad he never had to make a choice that put his character growth to the test.

New Ending: Jamie actually makes it to the Red Keep in time to enact Tyrion’s plan of him and Cersei running away together. However, as he and Cersei talk, we find that Cersei has other plans. Cersei tries to convince Jamie to lure Tyrion to the Red Keep under the guise of helping them escape, where they capture him in order to execute him in front of Dany unless she surrenders (so in this finale the Missandei thing didn’t happen). Jamie counters by pointing out that Dany might actually make the world a better place, and asks if Cersei really not want that that bad? Does she really not want to live peacefully with him that bad? Cersei responds by saying Jamie is not enough, for her or her child. Jamie calls her ‘a hateful woman’ and they officially break up.

Later, after the battle, Jamie asks to be part of the Kingsguard with Brienne, in doing so keeping his oath to her. Brienne lets him. Jamie then sheepishly asks her out, and Brienne, to his face, makes an oath to NEVER BE WITH HIM AGAIN.

Character: Cersei

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The Problem Most People Had With Her Ending: Other than the whole ‘move to the left thing’, WHY DIDN’T DANY GO TO THE RED KEEP FIRST AND KILL CERSEI INSTEAD OF ZIG-ZAGGING ALL ACROSS KING’S LANDING!!

Personal Opinion: WHY DIDN’T DANY GO TO THE RED KEEP FIRST AND KILL CERSEI INSTEAD OF ZIG-ZAGGING ALL ACROSS KING’S LANDING!!!!!

New Ending: Despite the bells, Cersei doesn’t open the doors of the Red Keep and tries to escape. There is not enough Unsullied to take the Red keep (cause of the Battle at Winterfell). Thus, Dany burns the Red Keep and the people around it, eventually exposing Cersei and burning her too.

Character: Dany

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The Problem Most People Had With Her Ending: Her descent into madness was way too quick.

Personal Opinion: I completely agree. She goes from brutally killing her enemies, most of whom were evil, or at the very least dick-ish, to brutally killing peasants who have NOTHING TO DO WITH ANYTHING. She doesn’t even kill Cersei directly.

New Ending: Honestly, no one scene can really fix this. I would have liked to see her make more morally questionable decisions throughout the seasons such as, in order to kill one bad guy, she has to kill three innocents, something like that. That said, I also would have liked for her to maybe try and murder Jon so his heritage actually ends up meaning something. Perhaps with the same poison Ellaria Sand used. So, when Jon and Dany kiss for the final time, and Jon kills her, afterward, he starts to feel the effects. He looks around only to find the antidote wrapped around Dany’s neck (don’t ask how she learned this trick, I don’t know,  maybe after inquiring after Varys’ plans to kill her. A poison drink would also work).

Character: Bran

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The Problem Most People Had With Her Ending: Other people had good stories too, so Tyrion’s reason for making him king was odd.

Personal Opinion: I agree, Bran as king is odd (especially considering he has demonstrated zero leadership skills) but I also think the show wrote itself into a hole. The only people who could rule were at that meeting, and Bran was the most inoffensive choice other than Sansa and Tyrion. Sansa, however, is too tied to North, and Grey Worm would kill Tyrion before letting him be king.

New Ending: When Tyrion suggests it, Brans says he can’t be king cause he’s the three-eyed raven. Tyrion says that’s the reason he should be king. He has no agenda, is above the petty squabbles of the nobles, and he can see the lives of the people, who they serve, so can actually see their decisions affect them.

Character: Jon

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The Problem Most People Had With Her Ending: There is zero point to the Night’s Watch as far as anyone can tell, and for him to go through so much only to end up where he started kinda sucks.

Personal Opinion: While I liked Jon’s ending, I think it was clumsily done. I mean, did he actually have to go? Who was there to enforce the punishment? Grey Worm sailed off and the only person who seemed to have a problem with Jon’s decision was Yara Greyjoy, who, let’s face it, is not about to start a war over this by herself. So did people just expect Jon to sit at the wall, alone and unguarded? What the hell?

New Ending: Jon gives Grey Worm his word that he will join the Night’s Watch. But, when he’s saying goodbye to Sansa, Arya comes in saying that Grey Worm and the Unsullied have left, as Sansa told her to look out for that. Sansa then points out to Jon that he doesn’t actually have to go, no one is left to punish him. Jon says he gave Grey Worm his word, but Sansa tells him to stop being stupid and that’s he’s sacrificed and died and served and for once in his life, he should just choose happiness. Sansa tells him not to make Ned’s mistakes. Jon listens and goes North of the Wall.

Character: Arya

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The Problem Most People Had With Her Ending: She abandons her family after trying for so long to get back to them. Plus, she has only expressed a passing interest in travel really. Throughout the seasons, she mostly traveled out of necessity.

Personal Opinion: While I liked her ending, it is odd that she goes for essentially no reason.

New Ending: Arya stays in Winterfell for a while, but starts to feel restless. After some time, Bran sends her a note about a green-eyed threat in the west. Excited to have a mission and put her face-taking skills to use, she takes off.

 

Honestly, I know these scenes don’t fix everything but, hopefully, they fix a bit. Let me know what you think? Are there any changes I should make? Did I make it worst? Should I write the script for this (I actually will if enough people request it). And finally, let me know your thoughts on the Game of Thrones finale.

My Year In Youtube: 2015

Commentary

To mark off the New Year here’s my first ‘Friday’ Review, and as a special End of/Beginning of Year Review, let’s talk about an important part of my life, YouTube.

Gone are the days when YouTube consisted exclusively of cat videos and home movies, in fact, they were gone quite a long time ago. Now yes, while YouTube still has those things (you can see them on Ellen), it’s also home to some quality programming, with some high production value to boot. So, here are my favourites this year:


Best Fictional Web Series: LARPs Season 2:

Geek and Sundry: Just Finished

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This series follows a LARP group (Live Action Role Playing for all you newbs) and, well, that’s it. The idea is remarkably simple, but it’s fascinating and funny. The ‘geeks’ are real and aren’t socially inept or any weirder than anyone else, but they recognize how they look to people and even, at times, the dangers of escapism. The people are real, but don’t worry, there’s still a smattering of quirky characters if that’s your bag. Honestly, it’ll make you want to LARP.


Best Tease: Becoming Youtube 2:

Ninebrassmonkeys: Hasn’t even started!

The first season was amazing and asked the tough questions about YouTube, well, the interesting ones. There were unpopular opinions, skits, and as much of the British Diggerati as you could ask for. Its creator Benjamin Cook put out its second season trailer. At the end of the first season, Marvel end-scene style, it said it was returning the summer of 2014. Then our favourite recluse Mr. Cook released trailer 11 months ago which said ‘Coming Soon’ and since then has released a seemingly unrelated short film soo….

 

 


Best ‘Non-Fiction’ Web Series: Critical Role (Honorary Mention: Titans Grave):

Geek and Sundry: Continuing

Originally streamed on Twitch, Critical Role is an RPG show which is engaging, hilarious, and at times actually sad. Titans Grave, created by the Geek’s geek and terrible roller Wil Wheaton is shorter and more story driven, but I personally find the characters in Critical Role more engaging and since the party has history, their chemistry is phenomenal, so call me a Critter.

 


Best Talk Show: Cereal Time

Cereal Time: Ongoing

Created by Hank Green and hosted by YouTube Titans Charlie McDonnell and Jimmy Hill, cereal time is funny and charming. Depending on where you are might not wake you up as it’s supposed to do, but still worth the watch if you want something light and slightly weird.


Biggest Topic: Sex and Consent

This year or so, a number of prominent YouTubers were outed for partaking in, shall we say, ‘questionable sexual behaviour’, which lead to an explosion of videos on the topic of sex and consent. An important topic, more so now than ever.


Best Edutational Show: Film Theory

 

The Film Theorists: Ongoing

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From The Game Theorists channel, its movie-and-T.V focused spin-off is born, The Film Theorists, and it doesn’t break from the formula that made The Game Theorists the fifth most-subscribed YouTube channel, with over 5 million subscribers. Yes, Film Theory is smaller, but it has exactly the same amount of potential as Game Theory, and for that, I’m excited to see where it goes.


Best Podcast: Welcome to Night Vale

Welcome to Night Vale: Ongoing

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Welcome to Night Vale now has a YouTube channel and I am elated. Welcome to Night Vale is a podcast that cannot be explained. It’s surreal and absurd and weird and funny and, with the YouTube channel, you get all that plus bonus content like tour videos.


Best Potential: Harley Quinn

 

Imagination Upgraded: Ongoing

A fan-made web-series centered around fan favourite Harley Quinn, this web-series has its problems. The acting is such that you know they’re acting and the fight scenes are sometimes just there for fight’s sake (there was no reason for Catwoman and Harley Quinn to fight, you’ll see). But the production value is high and any Batman character you want is bound to show up eventually. Couple that with the mystery that’s going on, and it has just enough to keep you interested.

 

 

Master of None Review: Season 1

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Master of None, a show currently streaming on Netflix, is a surprisingly different kind of sitcom, if you can even call it that. It follows Dev (Aziz Ansari) as he tries to navigate life. Sounds like it’s been done before I know, and it has, which is why Ansari’s spin on it is extremely refreshing and showcases Ansari’s and Alan Yang’s very capable writing skills.

Nowhere is the writing prowess more present than in the scenes with Rachel (Dev’s girlfriend, as played by Noël Wells). For this, I refer you to episodes  ‘Nashville’ and ‘Mornings’, which are basically half an hour rom-coms that are more charming and display more chemistry than many of the big blockbusters, firmly planting Rachel and Dev’s relationship as a show highlight. But it isn’t just about them, the supporting cast also hold their own and are (Thank the Gods!) diverse. And their diversity shines through. It’s not just about having the token black girl or Asian guy; these are dynamic characters, not stereotypes. That said, Arnold, Dev’s quirky friend as played by Eric Wareheim, is still especially funny. Couple the cast with the interesting cinematography and soundtrack, both of which give the show an, for lack of a better word, artsy feel and a distinctive and confident tone, and you have an engaging show.

Master of None also deals with relevant issues, such as race and sexism, in a way that takes into account the complexity of the matter without being preachy.  It also brings to life a serious phenomenon millennials face. We live in a world where we are not forced to grow up right after school, which begs the question, when do we grow up? Dev is not so much struggling with adulthood so much so as he is simply not concerned with it and wondering if he should be. This is a perspective, I at least, find reassuring.

The only problem with this show is unlikeliness of some of the stories, or if not unlikely, then out of place. For example, Dev sleeps with a married woman after coincidentally meeting her husband in an ice-cream shop. But other than that, Master of None is different, diverse, and quirky, and I’m excited for Season 2.

The Man From U.N.C.L.E (2015) Review

Commentary

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The Man From U.N.C.L.E is a movie about a CIA and KGB spy who must, very reluctantly, team up, to stop a criminal organization getting their hands on some nuclear weapons. In doing this, they enlist the help of Gaby, the daughter of a German scientist, who is currently missing.

The Man From U.N.C.L.E feels refreshingly traditional in this era of hyped up and rewritten remakes, and thus it relies on its cinematography and its score to give it its modern twist. The result is a movie that’s both full of style and visually interesting, where the humour is visual and verbal in equal measure.

Henry Cavill plays Napoleon Solo, the American CIA agent who is smooth and suave to a fault, the fault being that he is almost devoid of a personality and becomes at times just a series of jabs, quips, and one-liners done in a deadpan tone, adding a lot of humour and style, but not much substance. Indeed, his first encounter with Illya Kuryakin (Armie Hammer), the Russian spy, who Solo charmingly and almost fearfully refers to as ‘it’, is his closest moment to showing actual emotion,

And speaking of Armie Hammer, his portrayal of Kuryakin was quite a bit more interesting, with his exaggerated accent and with his uncomfortableness with all things Un-Russian adding humour and his dramatic psychotic episodes adding intensity, he makes for a good watch. In fact, his moment wrestling and dancing with Gaby was as amazing as it was partly because it had his humour and intensity.

As for Gaby (Alicia Vikander), what can I say? She was strong, smart, vulnerable and mischievous all at the same time.

All things considered, the movie was solid.

Trainwreck (2015) Review

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So I just watched Trainwreck and, I’m sorry to say, I’m not sure it quite lived up to the hype.

That’s not to say it was bad, it was quite good, but it seems just shy of the 85% Rotten Tomatoes gives it.
Just a quick synopsis, Trainwreck is a rom-com about a hard-drinking (and occasionally smoking) woman named Amy (Amy Schumer) who took her father’s message of ‘monogamy is not realistic’ to heart. She then meets sports doctor Aaron Connors (Bill Hader) and basically that monogamy theory is put to the test when she falls in love.

Simple right? What went wrong? Well, you see, Schumer, Hader, and to a slightly smaller extent Colin Quinn, who plays Amy’s father, basically carry the movie. They’re great in it. And maybe because of that, the rest of supporting cast, especially the sports cameos, seemed largely irrelevant. Even the cast of SNL showed up and while they provided some charming moments (Leslie Jones especially) they still felt kind of unnecessary. In fact, the supporting casts humor seemed just a little bit cheap at times. The gender reversal was quite interesting, however, with the commitment-phobe, promiscuous character being the girl and the person who actually wants the relationship being the guy, and there was a nice dose of family drama to add some depth. So don’t get me wrong, there was a lot right here. But in the end, the movie had a lot of filler. It could’ve been just Schumer, Hader, and Quinn, with perhaps some appearances from the character Amy’s sister’s family, just to flesh out the family drama, and the movie would probably have been much better, or at least more solid.

Spy Review

Commentary

So I was lucky enough to go see a press screening of Spy (I was on the guest list, it felt very exclusive) and here’s my review of it.

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So there are those who would discount a movie starring Melissa McCarthy movie as a dumb slapstick after the whole Tammy fiasco, but I’m happy to say McCarthy has been redeemed. Yes, the narrative, while it has its share of surprises, isn’t exactly mind-blowing, but that’ because it doesn’t go against what it is, a classic underdog story. And the movie isn’t a slapstick saturated with fat jokes, but rather its comedy comes from its characters. In fact, McCarthy, who plays Susan Cooper, is kind of badass. She starts off as a charmingly awkward underdog then morphs into Mullins from The Heat, demonstrating her range. Yet, surprisingly, Jason Stratham is the second star of this show, providing an amazingly funny semi-antagonist in his character, Rick Ford. After him, Peter Serafinowicz as Aldo. So yes the characters are stereotypical spoofs on common spy tropes, but they’re hilarious spoofs. Plus, Spy is progressive without trying to be and is a great movie if you just want an easy comedy with surprisingly great fight scenes.

One note, however, McCarthy and her ‘love interest’ Jude Law DIDN’T MAKE OUT. I mean, after all that work, I’m just saying.